Philip Seymour Hoffman

  • Cinema Guyd: “Master” Pieces

    Oct. 2, 2012, 1:18 a.m.
    There’s so much going on in Paul Thomas Anderson’s new film, The Master—and so much of it is great: truly superb direction, design, lighting, acting, cinematography, editing, scoring—that it’s a shock to notice that it isn’t working. The problem is that it’s the size and shape of an epic, but that in content it’s something much smaller: [&hellip
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